Gustave Courbet
1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.

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Gustave Courbet The Cliff at Etretat after the Storm (mk09) oil painting


The Cliff at Etretat after the Storm (mk09)
1870 Oil on canvas,133 x 162 cm Paris,Musee d'Orsay
Painting ID::  21300
Gustave Courbet
The Cliff at Etretat after the Storm (mk09)
1870 Oil on canvas,133 x 162 cm Paris,Musee d'Orsay
   
   
     

Gustave Courbet The Winnowers (mk09) oil painting


The Winnowers (mk09)
1853 Oil on canvas,131 x 167 cm Nantes,Musee des Beaux-Arts
Painting ID::  21377
Gustave Courbet
The Winnowers (mk09)
1853 Oil on canvas,131 x 167 cm Nantes,Musee des Beaux-Arts
   
   
     

Gustave Courbet Young Women on the Banks of the Seine (nk09) oil painting


Young Women on the Banks of the Seine (nk09)
1857 Oil on canvas,173.5 x 206.5 cm Paris,Musee du Petit Palais
Painting ID::  21379
Gustave Courbet
Young Women on the Banks of the Seine (nk09)
1857 Oil on canvas,173.5 x 206.5 cm Paris,Musee du Petit Palais
   
   
     

Gustave Courbet Burial at Ornans (mk09) oil painting


Burial at Ornans (mk09)
1849/50 Oil on canvas,315 x 668 cm Paris,Musee d'Orsay
Painting ID::  21380
Gustave Courbet
Burial at Ornans (mk09)
1849/50 Oil on canvas,315 x 668 cm Paris,Musee d'Orsay
   
   
     

Gustave Courbet The Painter's Studio A Real Allegory (mk09) oil painting


The Painter's Studio A Real Allegory (mk09)
1855 Oil on canvas 359 x 598 cm Paris,Musee d'Orsay
Painting ID::  21387
Gustave Courbet
The Painter's Studio A Real Allegory (mk09)
1855 Oil on canvas 359 x 598 cm Paris,Musee d'Orsay
   
   
     

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     Gustave Courbet
     1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.

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